The perspective of eternity and symmetry permeate this exhibition on all levels, which shines through here in a series of works that mainly have technical or technology-related motifs as themes: The test image, perpetuum mobile or a stroboscope disc as motifs, which can, among other things, evoke associations with mandala-like symbols or some form of cosmic diagrams, where the perspective of doom with its technical diagram also has an underlying meaning in the context. One could say that this entire exhibition is an absence of image. All of these emblematic diagrams are built with, among other things, the circle and symmetry as a recurring theme, they are informative but still abstract in their character, they show pure function. Signs that describe what is at stake without words in simple geometric forms. All of this is the bearer of ancient patterns since ancient times.

© Jörgen Melanton/BUS 2026, Absence of sound, mixed media, each part is 1,22×1,22 m.